Costumes & Cosplays

Discover a collection of costumes and cosplay projects created with a passion for fantasy, storytelling, and craftsmanship. From detailed accessories to full costume pieces, this page offers a glimpse into the worlds I've helped bring to life.

Looking for something unique or dreaming of your own custom design? Whether it's a costume, accessory, or fantasy-inspired creation, commissions are always welcome. Feel free to get in touch and let's create something magical together.
"You don't have time to be timid. You must be bold and daring!"— Lumière

This cosplay was an absolute delight to create and bring to life. The design combines elements from both the animated and live-action versions of Lumière.
I came across a wedding dress in a thrift store that already had the perfect candelabra silhouette. I painted it gold and hand-sewed numerous baroque appliqués onto the bottom of the dress. The jacket features details inspired by the live-action design; some parts were 3D printed, while others — such as the jabot around the neck — were sculpted from hot glue.
The arms and headpiece were crafted from EVA foam and include three functional candles that can be removed to replace the batteries.

Photos by Clara Franke.

"Odin’s ravens watch and whisper their secrets of thought and memory."

This is an original costume inspired by Viking mythology and Norse aesthetics. I thrifted the red dress and altered its shape to better fit my vision and silhouette. All lace appliqués were sewn on by hand.
The crown was sculpted using aluminium foil covered in foam clay. The ravens are both glued and sewn onto fur shoulder pieces, which attach to the dress with large snap buttons. I styled the wig with numerous braids and added extensions that were hand-painted silver.
The pouch was crafted from foam with added detailing and braided foam accents along the sides. The drinking horn is authentic and was purchased during a trip to Norway.

Photos by Kahlu Photography.
Video by Anton Kobets.

The Queen of Belief 

I found this enormous ballgown in a thrift store and instantly fell in love with its potential. Originally, it was bright fuchsia and covered in studs and ruffles. I removed the existing details and built a foam corset over the dress to serve as the base for the stained-glass effect.
The stained-glass design is made from carefully placed printed paper, sealed and attached to the foam structure. I created baroque appliqués using hot glue, then hand-painted them black and silver. Once all the details were added, I coated the entire bodice in epoxy to harden and protect it.
To soften the brightness of the original fabric, I layered additional organza in different colours over the skirt, finishing it with a layer of black organza for a darker, richer effect. I also created large balloon sleeves using matching fabrics and crafted foam cuffs covered in leftover fuchsia material and decorated with the same baroque detailing as the corset.
Both the shoulder piece and headpiece were made from foam and a great deal of patience, using the same stained-glass-inspired patterns throughout the design.
This was an enormous project, but I absolutely fell in love with the final result.

Photo by Maarten Kleywegt.

Be prepared! - Scar 

Who doesn't love a good villain? Scar was at the top of my list because the musical of the Lion King made me fall in love with costumes. I wanted to make him for a long time and finally made the commitment and even competed in a cosplay competition. I made the whole cosplay from scratch. I used a brown suedine fabric for the body suit and tail and added short haired white fur on the stomach, fingers and toes, and black long haired fur on my neck and shoulders to match with the wig, which I styled with pikes. The ears are made from foam and covered in the same fabric as the body suit and then sewed onto the wig. I made the nails with thermoplastic beads, painted them black with nail polish and sewed them onto the gloves. 
I used face paint and wax to create the scar. For the full effect I used wool crepe to create his goatee. 
I created a rock prop to use on stage, to look down on all my subjects. I had a lot of fun on stage and am proud of the results, I even scored 2d place. 

Photo by Amber Magical Shoots

"I only punish those who have already done harm. I am real justice!"―Khonshu

This was a completely new type of build for me. I created a black bodysuit onto which I hand-sewed all the cotton fabric strips. I tore multiple strands from cotton fabric by hand rather than using scissors to enhance the weathered appearance. To achieve the aged desert tones, I dyed and stained the fabric with tea.
I recreated all the gold elements using EVA foam and added the details with hot glue. The staff is made from a PVC pipe covered with a thin layer of EVA foam. To create a sandy desert texture, I mixed real sand into the gray paint. The crescent moon was also crafted from EVA foam, with details engraved using a soldering iron.
The face mask was definitely a challenge, but I’m very happy with how it turned out. It was made from EVA foam and finished with foam clay, then painted in multiple layers of white, gray, and light brown to create a weathered effect. The eye and nose openings are covered on the inside with pantyhose fabric, allowing the wearer to see out while hiding the eyes from view.

To complete the god-like appearance, I walked on stilts while wearing the costume.


Photo by Dadinside_photography
Video by Anton Kobets.

Renji - Protector of dreams.

For this original costume, I created a black dress decorated with numerous orange lace appliqués and nature-inspired details, though the true centerpiece was, of course, the dragon puppet.
The dragon turned out even larger — and more impressive — than I had originally imagined. I used a pattern by the talented Keep Drawing Charlie as a base and created my own interpretation of it.
The head was constructed from EVA foam and covered with faux fur using hot glue. The eyes were made using plastic spheres onto which I hand-painted the irises. They are mounted inside the eye sockets, and with a mechanism made from wires and a halved plastic ball, I am able to move the eyelids and make the dragon blink.
The horns were also crafted from foam and wrapped with thin strips of EVA foam to create their textured appearance. Inside the mouth are foam teeth and a sculpted tongue, while the gums and palate were created using hot glue for additional texture and detail.
The body is fully stuffed with filling material, while the tail tip contains heavier materials to improve balance and movement. The feet were sculpted from floral foam and covered with faux fur to blend naturally with the body.
This was a huge project, but it resulted in a wonderfully dreamy and magical creature that truly came to life.

Video by Cosplay Cinematics.

“My darling, death is not the end.” – Delilah Briarwood

I am a big Critical Role fan and bringing this cosplay to life was forfulling. The build was not too complicated but I wanted to look for details and incorperate everything. I made a simple long black dress, with deep pockets! A purple corset with the darker purple sewed underneath it.
I made huge balloon sleeves with sleeves supports to keep their shape.

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